A file can claim 320 kbps or lossless in its tag and still be an upscaled 128. Crate Cleaner reads the real frequency ceiling of every track, so transcodes can't hide behind a tag, and ranks them so you know what to replace first.

The method
Lossy encoders cut off high frequencies at a ceiling set by their bitrate. A real 320 keeps content up to around 20.5 kHz; a 128 upscaled to a 320 tag still stops near 16 kHz. Crate Cleaner samples three windows per track, finds that brickwall, and maps it back to the bitrate the file was really made from.

The verdicts
Every judged track lands in one of four buckets. The scoring leans conservative on purpose: a genuinely dark master or vinyl rip is never called fake for a gentle roll-off, and low-sample-rate files are never punished for frequencies they physically cannot hold.
Content reaches the ceiling its format and bitrate should. Nothing to do.
High end fades early but rolls off gradually. Often a dark master or vinyl rip, not a transcode.
A cutoff a step or two below the claimed bitrate. Worth a closer look.
A hard brickwall far below the tag. A low-bitrate source wearing a 320 or lossless label.
In context
The fake-quality count is not buried on a settings screen. It lands on your Library dashboard as a ranked fix, so replacing transcodes sits alongside every other cleanup, ordered by how much it improves your library.

How it works
Detection is completely read-only. Analyzing your library never changes a byte of a single file.
FAQ
Free trial on your real Serato library. Scan for transcodes before paying anything.
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